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Ghost in the Shell Review Has a Movie Ever Owned Itself So Hard Roast in the Shell. Joshua Rivera, GQ. Its barely April, and 2. Hollywood being utterly clueless when it comes to Asian culture on screen. XNXX. COM SEX movie story chinese Search, free sex videos. Ghost movies and shows can fall into a wide range of genres, including romance, comedy, horror, juvenile interest, and drama. Depictions of ghosts are as diverse as. Thailand Ghost Movie' title='Thailand Ghost Movie' />Ghost in the Shell, a live action remake of the seminal 1. Mamoru Oshii itself based on a manga by Masamune Shirow is the third major project this yearfollowing The Great Wall and Iron Fistmarred by controversy surrounding whitewashing and representation of Asian actors on screen, and a refusal to meaningfully address it. Its also, quite possibly, the one that bungles this the most. Oh, and its a bad movie on just about every level Its really hard to know where to start with this one. What would you say is the first thing you want to get off your chest when you talk about Ghost In the Shell, Kevin Kevin Nguyen, GQ digital deputy editor Even if we put whitewashing aside for a moment which the movie does not let audiences do, but we will get to that, Ghost in the Shell fails in so many avenues. Its a boringly told sci fi movie, blandly directed action movie, and a deeply shallow adaptation of some pretty excellent source material. I rewatched the anime last week and dang it holds up well In fact, the thing that surprised me most is how far they veered from the original film. Im not someone that thinks a live action remake needs to stay close to its origins, but every change made in the new Ghost in the Shell seems to be intended to strip out all of the weird and interesting things from the anime. If the anime is Leonard Cohens Hallelujah, then the new one is the equivalent of a Pentatonix cover. Joshua And thats whats so strange about this movieFor a film that seems so slavish to the imagery of the original anime it bends over backwards to directly lift scenes from the original, even though the story is entirely different its incredibly timid about reproducing what makes those scenes memorable, which is that they were gross and uncomfortable. Theres some great tech fueled body horror going on there, and this remake just makes it all as sterile as possible. I mean, it manages to have a scene where bags of dismembered body parts are just hanging from the rafters, and its the dullest thingThis also extends to the storys attitude to technology, which is well, Im not sure what it is. Kevin Yeah, the original does a lot of existential pondering on the relationship between humanity and technology. The new one does not. In fact, the remake has very little to say, and would rather spend its time trying to render a futuristic Tokyo. Which it does competently, at least for the first few minutes, introducing us to an eerily lush, neon soaked CGI cityscape. But that look gets tired quickly, and Tokyo starts to resemble some drab sci fi B roll borrowed from a sneaker ad. I get that part of the appeal of a live action remake is seeing some dope anime shit IRL, but the movie favors slow motion slickness over the haunting grittiness of the original. The aesthetic of the new Ghost in the Shell is so hollow and surface level. If the anime is Leonard Cohens Hallelujah, then the new one is the equivalent of a Pentatonix cover. Joshua A lot of this comes down to just how plain a lot of American blockbusters are, you know Everything is just so drably functional. At some point, all the slow mo stops being a stylistic choice and becomes an excuse for a lack of inventive presentation. The score tries to walk up to the original films theme which plays over the credits, because of course in distinctness, but then recedes to the background to become barely memorable. The final fight, a tense, thrilling, and, most importantly, quiet encounter replicated from the original, is now loud and noisy with the music jacked up, because thats how big climactic fights roll here in Blockbuster Town. Sure, a bunch of the imagery is right, but the why of it is all wrong. Which is where this film starts to mess up in a big way. Kevin Okay, I guess this is the part where we talk about the hellacious endingJoshua Yes, definitely. Lets HACK THIS ENDING. Kevin Spoilers ahoy At the end, we discover that the Major is the kidnapped brain of a young Japanese girl implanted into a robotic body by a tediously nefarious corporationa plot twist that is nowhere in the original and, at first, comes across as incredibly dumb until you have a moment to really think about it and realize oh my god this is even dumber than I could have ever imagined. If there is a thin moral in Ghost in the Shell, its Do not take a Japanese girl and put her in the body of a white robot. Which is EXACTLY what this movie is They took a Japanese brain and put it in a white shell. The ending of the movie is a self condemnation of the movies own whitewashed existence which in some ways would be an extremely anime move if it were deliberate. But in the end, Ghost in the Shell owns itself harder than any other movie Ive ever seen. Joshua Its like the Ed Sheeran of movies. Can you even really own something that owns itself so hard This is terribly frustrating when you consider how seminal and full of ideas a property like Ghost in the Shell is. That thing from Westworld, where they dip robot bodies in gooTotally from Ghost in the Shell. Seventy five percent of the ideas in The Matrix Directly lifted from Ghost in the Shell. Theres a story about how the Wachowskis pitched that movie to Joel Silver by just straight up showing him Ghost in the Shell and saying, We wanna do that for real. Its like the Ed Sheeran of movies. Like you, Kevin, Im generally more interested in remakes that arent very beholden to their source material, but theres a downright condescending quality to the way adaptations like this are treated. Live action Disney remakes are treated with way more respect, you know No one wonders if audiences today or abroad, because foreign box offices matter more than ever will connect with a love story between a woman and a giant were buffalo. But yeah, lets take the thing thats hugely influential to other things audiences love and make it like none of those things. Kevin Maybe thats the most cynical part of this new Ghost in the Shell. They made a movie with no interest in its source material. Apparently all that really matters is making a movie that bears the same name as one that people love, even if theres nothing in it for them. In a heavy handed voice over at the end, the Major says we cling to our memories as if they define us, but its what we do that defines us. Aside from the fact that the plot would prove contrary to this vapid line, maybe theres a lesson there for the audience here Dont let your fondness of the original Ghost in the Shell encourage you to see this movie. Windows Vista Automatic Wireless Connection.